Almost True
Greetings to all fans of concise science fiction, alternative history, and fantasy. These are the very genres in which I write my short stories and novellas. Most of them are a kind of intellectual game built around an i...



Almost True
Greetings to all fans of concise science fiction, alternative history, and fantasy. These are the very genres in which I write my short stories and novellas. Most of them are a kind of intellectual game built around an i...
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The Butterfly
A beautifully compact piece with a quietly unsettling turn. The autumn imagery makes the butterfly’s awareness feel almost philosophical, and the line about final moments being beautiful gives the ending a mournful inevitability. Then the nightingale’s arrival reframes everything with dark, almost absurd irony: one peaceful burial becomes another creature’s meal. The shift from the butterfly to the disciples is especially memorable.
Sophie Bennett
Speak
This is a powerful little portrait of a man trapped between conviction and survival. What struck me most was how vividly his silence becomes a kind of persecution: the imagined chorus of “Speak!” is more frightening than any visible accuser. His choice not to tear up the abjuration feels less like cowardice than a painful refusal to give his enemies the death they want, yet the suppressed truth keeps attacking him from every portrait and crack in the wall. The final outburst is both tragic and darkly funny—he finally speaks to an empty wall, and that private rebellion gives him the first peaceful sleep he’s had in days. A sharp, haunting ending.
Marcus Reed


