Flash & Short Fiction
Short fiction with bite. I write twisty, character-driven stories where things rarely end up where they started, except maybe the bodies. Updates weekly(ish). Come for the plot, stay for the emotional damage.



Flash & Short Fiction
Short fiction with bite. I write twisty, character-driven stories where things rarely end up where they started, except maybe the bodies. Updates weekly(ish). Come for the plot, stay for the emotional damage.
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The Last Email
Your story has great lessons to teach readers.
SHISHI SOLOMON


The Antique
Hi! I just read your story, and I’m obsessed! Your writing is incredible, and I kept imagining how cool it would be as a comic. I’m a professional commissioned artist, and I’d love to work with you to turn it into one, if you’re into the idea, of course! I think it would look absolutely stunning. Feel free to message me on Disc0rd (elsaa_uww)
elsaa


The Rehearsal
I like the role shift. It makes you wonder how they are really related. I lke the ambiguity.
Jerry Koleski


The Rehearsal
⭐⭐⭐⭐⭐ ♥️♥️♥️♥️♥️
20eight xxviii


The Rehearsal
This isn’t a gimmicky “gotcha.” The reveal that Celine is actually a wronged wife—and that this conversation with John is part of her own real revenge—recontextualizes every line that came before. When she says, “I have another meeting. Someone who is very invested in this outcome. I’d hate to keep your actual mother waiting,” the reader realizes: Celine never broke character. She just wasn’t playing the role John paid for, a nicely presented subject.
Raji Koshy


The Rehearsal
Excellent story! A reminder that karma is a bitch!
Brenda Lorenz

