In the film Babygirl, we meet a woman who is not merely a character, but a psychological condition: Romy Mattis, a media executive navigating a world shaped by male desire, control, and silence. She is not simply a victim, nor a heroine. She is a presence in flux — resisting, collapsing, and searching. The men around her — husband, colleagues, strangers — each project their own needs onto her. But their desire is rarely about love. It’s about control, redemption, and meaning.
